Mail-art: picturing kindness

With everything going on in the world towards the end of last year, I got to thinking about kindness, and what it meant. Why did some people seem to have it in spades, while others could act with such coldness, such brutality, that surely all compassion, all empathy, must have been clinically removed from their souls? I find cruelty - not angry passion but callous cruelty - truly incomprehensible. 

In all this thinking, I started to wonder what "kindness" meant to people. Because I'm fairly sure that, aside from genuine psychopaths, the people who I believed were speaking or doing things of utmost horror probably believed that they were actually good people, at least some of the time. They are not all villains, retreating to their lairs and laughing "BWAHAHA" every time they commit an atrocity. Somewhere along the line, these human beings have either justified their actions due to their beliefs, or have become immune to the suffering of others, because the mind is frighteningly good at self preservation (and nobody wants to admit to themselves "I am evil.").

I refuse to believe that that people are black to the core. Small-minded, intolerant, cruel, yes. But maybe not evil through and through? I don't know. I hope not. If you think terrible things cannot be done within the pretext of noble intentions, just ask any religious extremist, ever. 

Where is the kindness in all this? How can a man murder in the morning and let the dog sleep on his lap in the evening? Torture someone one day, and buy his mother fudge the next? Show hatred to an entire race of human beings, but love his children? 

Mail-art isn't going to solve any global or existential problems just yet, but this was all at the front of my mind as I was painting these envelopes, so I decided to follow it through. I did a Google image-search on the word "kindness" to see what other people saw in their minds when they heard that word. These envelopes are my interpretations of some of the images at the top of that search. 

What does kindness look like to you? What would you draw, if you got "kindness" in a game of Pictionary? 

ps. have you heard about my new letter-writing and mail-art e-course?

Over four weeks, I will guide you through multiple methods of making beautiful mail-art and creative, handmade stationery; teach you the art of writing and storytelling; help you forge personal connections in your letters and find pen-pals if you want them; and share time-management tips so even the busiest people can enjoy sending and receiving letters. Register your place or find out more information right here. 

Quick reminder

Just a quick note to remind you that my Snail Mail Toolkit newsletter will land in folks' inboxes tonight. I've created the envelope template above, plus another, and will share them as printable downloads along with tips on how to personalise them and turn them into mail-art, writing prompts, and some other fun and useful snail-mail links. If this sounds like something you'd like and you haven't yet signed up to receive my emails, there's still time and you can do it here. 

Lost for words

These nifty Correspondence Cards take postcards and "thinking of you" to the next level. When you want to reach out to someone by snail mail but you don't really know what to say, they'll do it for you! With sweet and funny little choose-your-own comment prompts, you simply tick the box that is most relevant.

Such as... 

I'm: distracted / well / a superhero / lost / drinking tea

This place is: beautiful / smelly / prickly / peaceful / interesting 

I've been: mugged / knighted / fishing / studying / adventuring 

Please: write back / dream of me / send money / feed my cat / take care  

And so on. The comments side of the card is illustrated with a lovely photograph originally captured on 35mm analogue film, and the back simply contains lines for the address, and space for a stamp.  

Tell me: would you use these? I think they are fun and pretty, and a postcard like this would put a huge grin on my face if it arrived in my letterbox (unless of course the person had ticked that they were lost and had been mugged), so I'm going to assume others might feel the same. 

I spend a lot of time writing to strangers to bring a moment of happy surprise to their days, which is something I love to do. But sometimes that means I neglect to write to the people in my life who are nearest and dearest. I feel like these cards are best suited to someone who already knows me (and appreciates my sense of humour), so that's where mine will be headed. 

Right now I have a box of 10 of these cards, sent as a gift from Brenner of Boots Paper, and I am itching to use them.

This all happened after I ordered some new notepads from Brenner, because I was running out of resources to write to you all. Her shop Boots Paper appealed to me because the notepads were not only beautifully-illustrated and lovely to hold (good quality recycled paper), she also donated a percentage of profits to conservation charities.

After I placed my order, Brenner found me on Instagram and reached out to say hello (this is her), and to celebrate the snail-mail joy that she and I have both spreading in our own ways. The following week, the most incredible box of stationery goods arrived in my letterbox as a gift from Brenner, and you can see it all here. She left a little note: "For all the stationery love you put out there, I wanted to give some back." 

It was an act of extraordinary generosity and kindness, and I intend to repay it by sending these gorgeous Boots Paper creations far and wide, as I write to each of you all over the world. 

ps. Have you signed up to receive my monthly mail-art template emails yet? They're free, and the first one will arrive in your Inbox about mid-January. Sign up here

Snail-mail: outgoing lately

I've been quiet on here but loud on life lately. Thanks for sticking around! The photo at the top of this page is of a stack of antique (100 years old or more) birthday-themed postcards I sent out to folks on Instagram, to help celebrate my own birthday last week. Here's some of the other mail I've posted during the past couple of weeks...

∧∧ This great big stack of letters and aerogrammes

∧∧ Putting Australia Post's flower stamps into a vase

∧∧ I was painting King Kong mail and my daughter begged me, "Make him gold?" So.

∧∧ Dear Australia Post: I am probably your biggest fan and definitely one of your biggest customers, but sending parcels overseas is getting ridiculously expensive. Thankfully, pretty stamps for the win. (Personal budget for the loss)

∧∧ Herbal mail-art for an aromatherapist

∧∧ A little bluebird carrying a message to Estonia

∧∧ All those herbs and flowers I've been painting... I thought it was about time to try my hand at some Australian natives

∧∧ This was my attempt at a four-seasons envelope: summer, autumn, winter, spring. Winter was tricky: the white gouache paint I used for the snow-flakes kind of melted into the envelope and turned out more blobby than bright. Onwards and upwards

∧∧ I planted ranunculus corms in my garden in May, and to my delight (and surprise, if I'm honest), they actually grew, and are blooming in abundance

That's all, folks!

Mail art - prickly post

Yawwwwwn. I was up until 1am last night making mail-art gifts for some friends. Those parcels (three of them) are not pictured here, because there wasn't any natural light in which to photograph them once I'd finished, and Mr B took them off to post when he left for work at five o'clock this morning. We are a sleepless family!

After two weeks of viruses rolling through our family, taking us down one at a time and working through each of us and then having the audacity to try and start all over again... after two weeks of being more up at night than down, and washing more sheets and towels and little pyjamas than I ever thought it was possible to wash, this weekend finally offered the hope of a reprieve. Nobody was ill, everybody kept down their meals, and we managed to wash and dry and fold and put away the mountain of laundry that had become so big that at one point we entirely lost sight of our couch.

Free from family sickness (but in my weakened, possibly hallucinatory state haha), I began noticing things around me again, especially in my little garden.

All too often, I have failed to give spring the love it deserves, the love almost the entire rest of the world gives it. It's not spring's fault that it is the harbinger of the harsh Australian summer, that's just the order of things, after all. But this year, for the first time since high school, I have a garden again. And that makes all the difference.

In the minutia of my tiny garden, I watch the seasons come in and out with new eyes and new appreciation. The ancient turning of planets and sun and growth and death, all played out in miniature in my little garden: a living diorama, kept alive by the clockwork mechanics of Nature and Time churning silently but relentlessly outside the four tall walls of my green little oasis.

And I, peering in, stepping in, and watching.

* The sage bush has grown at least 10 centimetres since last weekend, in the heady potion of warmer weather earlier in the week followed by soaking rains later on

* There was a honeyeater in the Chinese Lantern tree. We never see honeyeaters in the city! Also, on a warm but windy Wednesday, two little doves happily sunbathed on the grass out the front of the children's cubby house

* The coriander that I thought had died last year is once again alive and flourishing and ready to season big bowls of summer guacamole

* All the dormant trees are budding into life. The pomegranate tree is beyond budding - it has exploded into spring green

* Bluebells! Bluebells everywhere!

* One of my original camellia bushes has gone to god

The warm spring-rain was way too persistent for my tiny little cactus-in-a-pot, so I brought it inside, and that's what inspired this round of prickly mail-art. Once I got onto a cactus-and-succulent roll, it was hard to stop. These little guys are just so fun to draw!

A recipe for mail-art

I have been so busy making mail lately! Cutting out little packets of handmade stickers and labels, collecting vintage stamps, hunting for postcards old and new, photocopying old recipes and household tips that once belonged to my great-grandmother, then bundling them all up together in handmade envelopes from old catalogue pages, melting green or red wax over the fold, and sealing them shut with a big, bold N.

Lately I've noticed that a lot of you guys have been using the comments section of this blog to ask for tips and tutorials on how to create mail-art. So I'll do my best to oblige you in this post but, to be honest, the beauty of mail-art is that there are no rules and no standards. No tests to pass, no clubs to join, nobody to judge the "artistry" or talent of your work. Or mine. If you put some creative effort into it, and if you call it mail-art, it is mail-art.

That being said, here's the process of how I personally choose to whip up a batch of mail-art (and if you're new to this blog, samples of the finished products are here).

Ingredients: 

* Brown kraft paper * Scissors * Glue-stick * Pencil (I use 2b) * Eraser * Pencil-sharpener * Black felt-tip pen (waterproof) * Watercolour paints * Gouache paints * A variety of watercolour paint-brushes * Postage stamps * "Via Airmail" stickers (if applicable) * Sticky-tape * Washi-tape (optional) * Sealing wax and seal (optional)

Method: 

Step 1: Most of the time I hand-make my envelopes out of brown kraft paper. To do this, I open up an existing envelope and use it as a template, to trace onto the kraft paper. Cut it out, and glue the sides together. Use a glue-stick or paste rather than liquid glue, so you don't end up with lumps and bumps in your envelope.

TIP: I like to make the envelopes so that the rough side is facing outwards, rather than the shiny side, because it takes paint better later on when you come to that

Step 2: I roughly draw my design onto the front of the envelope, in pencil. This means sketching a drawing - a plant, an animal, a cup of tea, and working the address into the design. Sometimes I write the recipient's name and address next to the drawing, but if possible, I try to fit it into the actual drawing, such as onto the petals or leaves of a flower, a mug of coffee, a speech bubble, the pots of a series of house-plants.

TIP: In your design, leave enough room on the top right of the envelope to fit one or more stamps later on

Step 3: Now I go over my drawing with a firmer hand, using a black, felt-tipped pen. I use the Sakura Micron brand, and have a pack of pens that range from point 0.1 to 0.8 in thickness, depending on what kind of line I hope to create.

TIP: Always use water-resistant ink. This way when you paint them the ink won't run, nor will the essential details (addresses, for example!) run if the letter gets wet in the rain

Step 4: Next, I paint my design using a mixture of watercolours (Winsor & Newton) and gouache (Reeves). Gouache creates a thicker, chalkier, brighter colour than watercolour, especially on the brown paper, so I use these paints where I need the colour to stand out. I use watercolours when I want more subtlety. To help the postie read the address in my mail-art, I aim to make the parts of the picture containing addresses brighter and lighter in colour than the others.

TIP: When sending mail overseas, it's important that the destination country is big and clear and, if possible, in the same area or colour as the rest of the address, so it won't be missed

Step 5: Once the paint is dry, I pull my felt-tip pens back out, and go over the outlines again to give the drawing definition. This is particularly important to ensure the address is clear and stands out, even more-so if I've used gouache, because if applied thickly it can be quite opaque, and the writing needs to be reinforced over the top.

TIP: If I feel the postie may need more direction to send this mail where it is supposed to go, I draw little arrows pointing to the start of the address, and write the words "Kindly deliver to" above the recipient's name

Step 6: Now I put the stamps on the front-right. Rather than use those ugly Australia Post printed labels, I prefer to use lots of stamps to make up the postage. If they won't fit on the front without ruining my design, I continue them over onto the back of the envelope.

TIP: If you need to do this, too, make sure that there is at least one stamp where it is supposed to be, and write the words "More stamps over" to ensure your postie knows to look there

Step 7: If I'm sending my letters overseas, I affix a "Via Airmail" sticker to the envelope. It's supposed to go on the top left-hand side, but fitting it anywhere is usually enough to alert the postie to the fact that this is international mail.

TIP: If your mail is travelling domestically, don't stick a "Via Airmail" sticker on it. I've made that mistake before, and the postie has confused my letter for international mail and not known where to deliver it

Step 8: Almost done! Next, I clearly print my return address on the back of the envelope. I had a stamp custom made to do this and I don't know why, but it gives me a lot of primitive pleasure to ink it and stamp it onto each letter.

TIP: If you've needed to add extra stamps to the back of your envelope as per Step 6, make sure you write the words "Please return to" or "From" above your return-address, so the postie doesn't mistake it for the destination address, surrounded as it is by all those stamps

Step 9: Finally, I fill the envelope with all the contents I have created and collected, then close up the envelope with sticky-tape. This doesn't look very good so, if possible, I then cover the tape with something pretty, like wash-tape, a handmade sticker label, or another wax seal.

TIP: Make sure there are no loose parts of your envelope that could catch on things and tear during its long journey through the post. Tape everything down  

And that's it, my process for making mail-art from start to finish.

How about you? How do you like to decorate your letters? What ever you do, please know this one thing: if you get creative with your mail, you are a mail-artist.

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ps. If you're in the mood for even more letter-writing inspiration, I want to remind you about my letter-writing and mail-art e-course, "The Most Beautiful Letter You Have Ever Written." 

Over four weeks, I will guide you through multiple methods of making beautiful mail-art and creative, handmade stationery; teach you the art of writing and storytelling; help you forge personal connections in your letters and find pen-pals if you want them; and share time-management tips so even the busiest people can enjoy sending and receiving letters. There's also a host of downloadable resources, and access to my own private mail-art pen-pal group. Registrations are open right now, and you can find out more here. 

Mail art: while on holidays

While we were in Sydney on our holidays, I painted these handmade envelopes to send out into the world. A pair of animals, books and coffee, but mostly wildflowers. I have a lot of fun painting wildflowers.

Also while we were on holidays, Scout made mail of her own. She asked to send a postcard to her best friend, chose the postcard, wrote her friend's name, signed her own name, and dictated a message for me to write. Mostly, it was a love message. "We rode a train," she said. "We went to the zoo." But mostly Scout wanted me to write "I love you" and "I love you more." She put the stamp on herself, and posted it herself.

I feel absurdly proud that this little mail project of mine has inspired my daughter to remember others in such a tangible and loving way. Scout and her friend are only four, but already they understand the joy that comes from sending and receiving letters. Long live snail-mail.

Onwards to the wildflowers.

Mail art: in defense of domesticity

This suite of mail-art envelopes was inspired by former blogger Natalie Holbrook's 2015 book, Hey Natalie Jean. In the book, she is unabashedly proud of her role as "Queen of her home," championing the kind of feminist mantra that says feminism is about choice. Natalie has a choice and she chooses to be a homemaker (among other things).

It felt kind of refreshing to read this, because I love looking after my home, too, and I see it as an extension of looking after my family. But always in the back of my mind is a kind of niggling: in doing this, am I turning the feminist cause back fifty years?

Mr B's and my roles in our home are quite traditional. He goes out to work and, because his days are long (generally 14 hours or more) while I work part time and I do that work from home; the housework, cooking and all those other domestic bits and pieces fall to me. For us, the division of labour this way is both practical and financial. It has nothing to do with gender.

But also, I really like it! I love taking care of my home, and it gives me such a sense of calm and contentment when it is tidy. I feel as though caring for my house is also an act of love to my family, giving them somewhere clean and beautiful to live and think and play and grow. Am I a 1950s housewife? Am I setting back the cause? I hope not. This is what Natalie says:

"I make my home somewhere I love to be not to impress others, or live up to some standard or ideal, but out of respect to myself."

You know?

Mini mail-art

Hello, dear friends. This is just a little something I've been working on, to give to the subscribers I write to via this blog: mini mail-art. I've made a series of 12 water-colour botanical stickers that people can use to decorate their next mail; and another 12 "return address" stickers for them to personalise with their own addresses, and then colour if they want to.

Mail art: four assorted

I only have four mail-art packages to share this week. The cylindrical one at the bottom was quite a challenge to create and paint, but a lot of fun as well. Selise told me she loved marigolds, so I was determined to give it my best effort. Want to know what was inside? Cereal boxes!