A week of creative snail-mail: typewriter

Ok I'm actually really proud of this idea. In this Snail Mail My Email request, the writer only asked for "mail art," without specifying anything in particular. In her letter she made a cute little Christmas wish-list, which included among other things a blue typewriter and another cat (or three or five).

So I painted up a blue typewriter, and cut a small slot in the top, about where the paper would go on a real typewriter. Then I wrote the letter on segments of paint-chip cards, and inserted them into the typewriter so that they would slide upwards to be read (like paper in a real typewriter). I'm really pleased with the results, and think you could use this in loads of ways. Like, typewriting the message itself and turning the idea into party invitations?

For the mail-art part of the letter, I decided to go with "crazy-but-adorable cat-lady," for a bit of fun.

A week of creative snail-mail: London bus

On Day 3 of my Snail Mail My Email challenge, the letter I was asked to write and send was particularly touching. I don't know who Keir and his Dad are. Maybe Keir is away at university (I know Americans call university "school") but, to my mind, the letter read as though Keir was younger. I pictured a father separated from his boy, unwillingly. Maybe a broken relationship, maybe he was deployed somewhere… I don't know. But it was touching and lovely and a bit sad because of the evident separation.

There was no specific doodle request and I don't know why, but London Calling by the Clash was in my mind (GREAT song), so I figured I'd make Keir a London bus postcard. And then I thought, why not turn the stamps into bus-windows?

A week of creative snail-mail: chocolate cake

The next email I received for Snail Mail My Email (I wrote about it here and the official website is here) included a letter and a doodle request that made me laugh out loud: "Doodle of Bruce from Matilda eating chocolate cake." So that's what I drew on the envelope and, for good measure, I made a chocolate-cake letter to go inside. I divided the letter into five "pieces" and then painted up a chocolate cake with pieces attached by tiny dots of glue (easy to lift off). Each piece removed revealed a bit more of the letter.

Make this: surprise slide-up cards

Boo! Recently I made these little slide-up cards, after watching one of those "how-to" tutorials on YouTube that make simple things so much more confusing than they should be and assume you are the proud owner of an entire cupboard full of obscure craft supplies, when you could actually make do with a piece of cardboard and some sticky-tape.

Mine were Halloween-themed but if you want to make them too, they would suit pretty much any occasion or holiday: little hearts popping up to say "I love you," fireworks popping up to say "Happy New Year," flowers or confetti or - you get the point - to say "happy birthday," and so on.

Following is my pared-back tutorial, with a few moments of "full disclosure" on things I did wrong or could have done better, so you can learn from my mistakes.

The basic mechanics of these kinds of slide-up cards involve plastic wrapped around a rectangular piece of cardboard (or more accurately, an "H" shape, to stop the plastic from sliding off). You stick a second piece of cardboard with your picture or message on one side, and a third piece of cardboard with the "pull here" instructions on the other side. When you pull down on one piece of cardboard, the plastic slides around, pushing the other piece of cardboard up. Make sense?

ΔΔ What you'll need:

* One or two sheets of thin cardboard, or some thick (eg water-colour) paper * Scissors * Sticky-tape or glue * A pencil, or something to measure your cards (you could use a ruler and/or one of those grid maps, OR you could do what I did, and trace around your mobile 'phone) * Thin plastic (full disclosure: being the non-craft-supplies-cupboard type person that I am, I didn't happen to have any thin plastic available, so I just cut up the plastic covers from some greeting cards - do you know what I mean? - and they would have worked really well except for the folds in the plastic that caused the "slide up" bit to catch)

ΔΔ While you can make these cards all out of the same cardboard, I used a few different types, just to make my cards interesting. I used the beige cardboard you see pictured because it was handy, to make the H-shaped mechanics of the card. I used water-colour paper for the slide-up monster or ghost, and for the "pull here" tab at the other end, because I thought the colours would show up better on white than beige and I didn't happen to have any white cardboard handy. I used old pages of Frankie magazine to make the "envelope" of the card, because they're pretty. You could of course use plain cardboard for the envelope, which would leave a whole lot of space to create your own design or the first part of the message.

ΔΔ Step 1 (top left): cut out a piece of cardboard in an "H" shape, then cut out two rectangles, slightly smaller. I traced around my iPhone to get the rough sizes of my two smaller rectangles (which make up the monster and the "pull here" tab), then just went a bit bigger to get the H shape. You can see the pencil-work where I traced around the iPhone then made it a big bigger. This is part of the inside of the card so don't worry about pencil marks.

Step 1b (because clearly this is actually two steps but I forgot to take a photograph of the H before I'd already stuck the plastic on)... Now cut out a strip of plastic long enough to wrap all the way around the short bit of the H, then wrap it around and stick it together. Make sure it's not too tight, because this is what will be used to slide your picture up and down so it needs to move easily. (Full disclosure: as I mentioned, the creases in the re-purposed gift-card wrapping I used meant that in some cards, the plastic would get stuck and wouldn't slide smoothly. Also, I used sticky-tape to secure the plastic because I didn't think glue would be reliable, but the tape also created some problems with the smooth sliding of the pulley. So the one thing I would do very differently next time would be to find some better - crease-free - plastic at the newsagency, and possibly some good glue)

ΔΔ Step 2 (top right): take your two smaller (in my case iPhone-sized) pieces of cardboard, and place them to the plastic on the H to see how they fit. You may need to trim them further. Now would be a good time to draw your slide-up message or illustration (in my case the monster), because it gets tricky to draw or paint after the card is made.

ΔΔ Step 3 (bottom right): place your "pull here" card on top of the H, lining it up with the bottom of the H-card. Then tape it to the plastic at the top. Turn the H over, and line up your picture (monster) card, face down, so that the top of it is flush with the top of the H-card. Tape it to the plastic at the bottom. Turn the H back over and test it at this point. Give the "pull here" tab a tug, and see if your picture slides up. Don't worry if they flop everywhere, the envelope will hold everything in place.

ΔΔ Step 4 (bottom left): cut out another piece of cardboard or paper. Measure it to be slightly bigger than the H, then double it sideways. I used pages from Frankie magazine for this. Fold the cardboard or paper in half, then stick the H to the right-hand side of the card (on the inside, of course). Make sure when you tape it that you secure the H on both sides, but don't stick down any of the moving parts.

ΔΔ Step 5: Fold the card over to close it, and seal it up with sticky-tape or glue, again making sure you don't go near any moving parts. Cut out a little square or semi-circle to reveal your "pull here" tab.

ΔΔ You're done! I used the blank space above "pull here" to include a spooky little Halloween quote (see the picture at the top). You could add a secret message here, if you wanted to.

Rainy day patchwork postcards

A little while back I painted a series of five geometric water-colour paintings. They are patchworks of triangles, really. For me, they are interpretations of what it is like to look through thick, antique diamond-paned glass windows, while it is raining.

Recently I had them printed as postcards, so that I could have something colourful and pretty to hand if I wanted to send someone a quick note, and so that I would be able to include the set of five with other gifts when I'm writing to people through this blog.

Mail art + mild regrets

There are things in life that you live to regret and in my case, those things include having that second glass of cheap semillon sauv blanc last night, losing two hours of my life watching The Heat on TV while folding mountains of washing, and saying to myself at the end of said wine/watching/washing that just this once, I’d leave the dishes until morning. So this morning when I got up at my usual 5am it was harder than usual, my head hurt (I know, I’m a lightweight), and when I came downstairs the first thing I saw was a pile of dirty dishes. Regrets, my friends!

However, I plan to salvage the day by enjoying the sunshine out and about with my darling children, who hopefully will not be too loud or high pitched ;-). Here are some more envelopes I’ve been painting this week. Only five today. I hope you enjoy your Thursday, friends. And for all you Victorian folks who work for The Man, enjoy your day off tomorrow, you lucky things!

ps. If you're worrying about the fact that I've left the full name and address on the first envelope on this page, don't fret. That mail is for Amber, who makes and sends the most phenomenal mail-art you've ever seen and regularly publishes her address on the Internet, so I know this is not a concern for her. I left it on because I thought that for a change it would be nice for you to see exactly what the people receiving my mail see, rather than big chunks of blanked out space.

Sayonara, crappy week

What a week! I'm not going to lie, I'm incredibly glad to see the back of this week, which seemed to last for months, and was fairly dismal for a lot of it. But anyway, we're at the end now. Finally! A sunny weekend is forecast, and I plan on doing some baking, and maybe a spot of drinking white wine in the garden. What are your plans?

Meanwhile, here is some mail-art I've been making recently, in moments of peace. Painting mail makes me happy when I'm stressed or sad.

Artist Lorraine Loots on surviving a 365-day project, and beyond

South African artist Lorraine Loots is my Instagram crush. She paints highly-detailed, hyperrealistic watercolour works on a daily basis, most of which would fit inside a five-cent coin. Very appropriately, she calls her work "paintings for ants."

"The images vary from eight to 30 millimetres in diameter," Lorraine explains. "When I started doing miniatures, people would say, 'Oh that's nice. But what would you do with something that small?' I just started saying they were made for ants."

Lorraine's work is beautiful, but her output is phenomenal. She started painting her miniatures in 2013, as part of a 365-day project. "The plan was simply that I would set aside an hour a day outside of my 'real job' to complete an artwork," she says.

"Initially, I thought of the project as a massive challenge, like a marathon or something I would be relieved to have survived. And it really was. But it also became this meditative time; a quiet and almost sacred part of each day. And as the days went by and the end came closer, I got sadder and sadder thinking that I'd have to stop. And then I realised that the project was mine, that I was the one who had made it up in the first place, and if I wanted to keep doing it, I could. And so I did."

Since those early days, the response to Lorraine's "paintings for ants" has been so positive that they have now become her full-time job. Each miniature takes between six and eight hours to paint - sometimes more - and Lorraine continues to create a new one every day.

"Some days are really hard. I think the pressure of having to create something for someone every single day, to put it out there into the world, the idea of never having a day off, it all starts to affect you on a subconscious level. There have been difficult days. I've been so sick that I was only able to drag myself out of the bed for that hour it takes to do the painting, and it's taken all my willpower. We lost a close family member on the last day of 2013's project, the day before I was going to take on 2014. That was incredibly hard. Life just goes on and sometimes you have to make big sacrifices if you want to stay committed.

"But the incredible feedback and the feeling of being one step closer to achieving a much bigger goal is what keeps me going. The reward is huge.

"I have a little travelling paint kit so as long as I have enough light, I can work anywhere. I've painted in some crazy places: a 26-hour bus trip, on the floor of our room in Paris, and in the foothills of the Himalayas."

To see more of Lorraine's work, or to snaffle an original miniature of your own, visit her website here, or follow her on Instagram at @lorraineloots.

All images provided by Lorraine, and used with permission

Mail art - tea and nature

"One of the strange things about living in the world is that it is only now and then one is quite sure one is going to live forever and ever and ever.

"One knows it sometimes when one gets up at the tender solemn dawn-time and goes out and stands out and throws one's head far back and looks up and up and watches the pale sky slowly changing and flushing and marvelous unknown things happening until the East almost makes one cry out and one's heart stands still at the strange unchanging majesty of the rising of the sun--which has been happening every morning for thousands and thousands and thousands of years. One knows it then for a moment or so.

"And one knows it sometimes when one stands by oneself in a wood at sunset and the mysterious deep gold stillness slanting through and under the branches seems to be saying slowly again and again something one cannot quite hear, however much one tries.

"Then sometimes the immense quiet of the dark blue at night with the millions of stars waiting and watching makes one sure; and sometimes a sound of far-off music makes it true; and sometimes a look in someone's eyes."

~ Frances Hodgson Burnett, The Secret Garden (paragraph separation mine)

Today's week's mail-art collection is brought to you by the beauty, magic and healing power of nature. And tea.

ps. have you heard about my new letter-writing and mail-art e-course? 

Over four weeks, I will guide you through multiple methods of making beautiful mail-art and creative, handmade stationery; teach you the art of writing and storytelling; help you forge personal connections in your letters and find pen-pals if you want them; and share time-management tips so even the busiest people can enjoy sending and receiving letters. Register your place or find out more information right here. 

Mailart - lost worlds

"And there we were, the four of us, upon the dreamland, the lost world... ...Following the tracks, we had left the morass and passed through a screen of brushwood and trees. Beyond was an open glade, and in this were five of the most extraordinary creatures that I have ever seen. Crouching down among the bushes, we observed them at our leisure."

~ The Lost World, Arthur Conan Doyle